Gajan is a Hindu festival celebrated mostly in the Rural part of West Bengal. Gajan spans around a week, starting at the last week of Chaitra continuing till the end of the Bengali year.

The word Gajan is considered a combination of parts of two words – “Ga” is from the word gram meaning village and “jan” is from the word janasadharan meaning folk. In this sense Gajan is a festival of village folk. Some of the myth said Gajan means Gar+Jan = A Bengali Word which reveals the call of the sannyasi or Bhakta to their lord Shiva. Often in this festival Sannyasi or Bhakta are murmuring with the name of Lord Shiva on daily basis 108 times & together they cry with pain : Debadi Dev Mahadev .. Hara Gauri .. Joy Shiv . They often believe its such a powerful chant that keep them cool and help to overcome all the pain related to their painful process of devotion.

Hindus celebrate the festival mainly on the last two days of the month of Chaitra. This period is known as Chaitra Sankranti when Sun will enter Pisces sign. Chaitra Sankranti begins on 14th March of every year. People observe fast during this period devoting themselves to their God. Gajan is actually linked to persons who are related to agricultural community, directly or indirectly. They pray for the rains and better harvest. Lord Shiva is said to be closely related to this community.

This photo story is from a remote village in the district Hooghly, west Bengal, India. Gajan is celebrated here more than 100 years. Devotees make one month restricted life as a part of the process like sleep on the floor, veg diet single time a day and known as SANYASI (devotee).

On the day of Gajan devotee gather in the oldest temple of LORD SHIVA in the village at night. At 12 o clock night, they made an holy bath in the river Ganga. After returning from bath they start their worship to LORD SHIVA, but the no of devotees is more than 50+, so it is not possible to accommodate all of them inside of the temple, so they worship their LORD SHIVA from outside the temple. It takes near about 3 to 4 hour, so when they complete their worship then it is dawn, and the day of the GAJAN starts. In the morning, the first event was “BANPHORE”, that is a 5mm iron rod penetrated through the devotee’s toung. The devotee bite the middle of the rod which penetrated through his toung. In this condition, all the devotees take part in a procession with the drum and other musical instrument and make a around the village.

The second phase of programme is started at 8.30am. Here the devotee’s activities are different. Cross made of wooden structure taken from the nearest pond and devotees being crucified with nail hammer with the structures. Water given continuously on their faces so that they can overcome the pain of crucification and blood can be stopped from their Body.

Next phase They are laying down on the nailbed, in this condition they make round in the village and the programme is end at 12.00 pm. It ends with Charak Puja Participants of this festival is known as Sannyasi or Devotee. Persons of any gender can be a participant. The complete history of the festival is not known. The central theme of this festival is deriving satisfaction through non-sexual pain, devotion and sacrifice.

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

About avishek Das

Avishek Das is an Indian born Photographer. Over the past 6 years he has been actively associated with this field of photography.

He is the Chairman of Creative Art Solution – A Registered Photography Club of India under Federation of Indian Photography & Liason Officer of Master of Light Photographic Association for Asia & India.His photographs and writings have already been published in different Websites & Photo competition in national & International level (Italy, France, Argentina, Serbia, Romania, Wales, Greece, Canada, China, Bosnia, Malaysia, Bulgaria, Bosnia, Macedonia, Turkey, UK, Bangladesh, Slovakia, UAE, Indonesia), National Geographic India & US Edition, 1X .com, Vogue, Dodho Magazine, Asian Photography, Better Photography, 121 Clicks, Creativeimagemagazine and many more.

He bagged more than 210+ Awards (National & International) including Bronze,Silver & Gold Medal from Royal Photographic Society, Photographic Society of America, International Association of Art Photographers, United Photographers International, Fédération Internationale de l’Art Photographique for his Photographic works.

His significant achievement like – Grand Winner of Ariano Film Festival – Italy (Digital Photo Category), ICICI Bank Privilege Moments Zonal Category Winner (India), Asian Photography Artistique Special Mention Award (India), Metropolis Asia Runner Up Award – Street Photo Category, Finalist / Silver Medal Winner in HIPA Award & Siena International Photo Award, Px3 Paris Global Photo Award. He has been Appointed as Jury Member from Russia, Bosnia, Serbia for different International Photography Competitions.

For his Photographic Development & Achievement recently he has been Awarded with Distinction EFIAP (Excellence FIAP) from Fédération Internationale de l’Art Photographique (France) and Crown Level 2 by Global Photographic Union, SSS/Y by Sille Art Gallery, Turkey.

Crucification – A Painful Devotion: Photo Story By Indian Photographer Avishek Das

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All the pictures in this post are copyrighted Avishek Das. Their reproduction, even in part, is forbidden without the explicit approval of the rightful owners.

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